欧美小姐姐摸到内裤都湿了

　　一对兄弟在他们的庄园附近发现了一具残缺不全的尸体，于是召集当地人一起调查。他们很快了解到，村子里发生的怪事是由一个恶灵引起的，这个灵魂进入了一个当地人的体内，他们等待着通过适当的程序驱逐他体内溃烂的恶魔。主角们不得不与迫在眉睫的危险赛跑，试图摆脱恶灵无情的魔爪。

　　前途无量的女主厨Almut（弗洛伦丝·皮尤 Florence Pugh 饰），遇上失婚男子Tobias（安德鲁·加菲尔德 Andrew Garfield 饰），一次邂逅，改变了余生。就在两人相爱成家之后，一个突如其来的真相，也将撼动他们幸福的生活……

1995年，东北吉春市，两名戴着麻布头套的悍匪连杀数人劫走巨款，现场不留活口，手法毒辣到让全城胆寒。警察局长命令刑侦队长张震调查此案。早已隐退“江湖”多年的赵红兵因战友被杀，决定联合刑侦队长张震为牺牲的战友讨回这笔血债。

　　在一个平凡的美国小镇，同性恋男孩被人杀害，他的死却引起了广泛争议。自称代表上帝的牧师艾宾·库伯（麦克·帕克斯 Michael Parks 饰）带领信众游行示威，控诉着世间各种丑态与罪行。另一边，高中生特拉维斯（Michael Angarano 饰）、贾罗德（Kyle Gallner 饰）、比利-雷（Nicholas Braun 饰）却相约夜晚出行，寻找属于青春时代的放浪与刺激。谁知渴望狩猎的少年，反倒成了他人的猎物。他们落入库伯及其信众的陷阱，随时都会失去生命。　　另一方面，美国枪支管理局的特工约瑟夫·吉南（约翰·古德曼 John Goodman 饰）逐渐掌握库伯囤积枪支的证据，一场无关正义与道德缺失的攻防战即将展开……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　本作由井上刚担任导演，与NHK四月播出的剧集《地震之后》共享故事框架，同时新增场景重新剪辑而成。该片基于村上春树短篇小说集《神的孩子全跳舞》中四则短篇，讲述关于丧失与重生的故事。描绘1995年阪神淡路大地震后，四个在不同时代与地域背负孤独生存之人的命运交织，最终与当下产生联结的历程。