露西妮1970

　　出演 : 高倉健／池部良／三田佳子／松方弘樹／梅宮辰夫／菅原謙二／室田日出男　　監督 : 佐伯清　　終戦直後の浅草。戦地から戻った神津組の寺島は、露天商街の縄張り争いから新誠会と対立。やがて縄張り争いは激化し、寺島は客人の風間と共に新誠会に殴り込みをかける…。　　高倉健の主演で人気を博した「昭和残侠伝」シリーズの第1作目。敵方の青年との対立と不思議な友情を交え、若き熱血親分の活躍を描く娯楽任侠映画。瓦礫だらけの街から、悪を根絶やしにするため、熾烈な戦いが繰り広げられる。ヒロインは三田佳子。シリーズに欠かせない池辺良もいい味を出している。殴り込みのシーンで流れる、高倉健自らが歌う「唐獅子牡丹」も大ヒットした。

　　吉赛尔公主和罗伯特、摩根搬到了郊区的一栋新房子，被反派玛尔维娜·梦露监视着。随着问题的出现，吉赛尔许愿把他们的生活变成完美的童话，然而咒语产生了戏剧性的反作用，使吉赛尔不得不在午夜来临之前争分夺秒，以拯救她的家人和安大拉西亚王国。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　一位内向的俄罗斯父亲和十几岁的女儿住在一辆面包车里。面包车装着他们的全部生活，包括一套电影放映设备。那是他们微薄收入的来源。这对无名的父女从南到北，在他们广阔国家的极端气候中漫游。