朝云暮雨

　　熙琏（廉晶雅饰）的儿子俊叙在首尔走失了，伤心欲绝的她带着失忆的婆婆回到老家苌山休养，希望婆婆能早点想起俊叙是怎么失踪的。有一天，熙琏在苌山附近的洞穴遇见一个衣衫褴褛的神祕女孩，或许是同情怜悯，或许是空虚寂寞，熙琏将女孩带回家，打算在找到无名女孩的父母之前照顾她。两人日渐亲近，渐渐地女孩变得好像熙琏的女儿一样，她喊起熙琏「妈妈」，还叫自己「俊希」，容貌与音声越来越像消失无踪的「俊叙」。神秘女孩到来之后，陆陆续续发生难以理解的怪事，熙琏的婆婆先是幻听，然后还被传说中栖息在苌山洞穴的妖物掳走……熙琏能够找回儿子俊叙吗？破碎的一家能在妖怪阴影之下再度团圆吗？

　　未来世界能源枯竭，食物短缺。雷恩醒来，三名蒙面人将他和女友劫持，他奋力挣脱却从楼梯摔下。雷恩再次醒来，发现自己经历着同样的一天。他告诉女友汉娜，却发现汉娜和蒙面人是一伙的。雷恩才发现，他们都陷入了自己制造的ARQ能源机引发的时间循环中，而雷恩曾经效力过的Torus公司正要夺走这台机器。为了阻止Torus公司，雷恩和汉娜再次进入无限的循环...

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　影片主打悬疑惊悚，将中日鬼神文化脑洞大开的融合在一起，两股势力的对战让影片过程惊喜不断。高颜值与精良的制作让这部电影成为难得的网络大电影佳品。　　影片破天荒的将贞子与碟仙两个角色设置成为撕逼对抗，增添了影片的可看性。人性化的处理、悬疑的升级、科学合理的解释和恰到好处的惊悚效果，让影片回归到了十分理性的逻辑上。主演们均是养眼的俊男靓女搭配，身着统一的校园制服清新亮丽，让一些男性观众对《贞子大战碟仙》无可挑剔