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　　故事发生在第一次世界大战期间，英国联军和德军之间的战况日渐白热化，每天都有无数的士兵们含恨死去，年仅十六岁的莎士比亚（杰米·贝尔 Jamie Bell 饰）亦参与了这场战争，战场上伤痕累累的惨状给他的心灵蒙上了厚厚的阴影。　　某日，莎士比亚和一干战友们正在进行一项突袭任务，就在大家凝神鼻息偷偷前进之时，一股不知从何而来的神秘烟雾将他们包围。之后，一行人来到了德军的战壕内，然而这里了无生气，有的只是一具具死相及其恐怖的尸体。这里究竟发生了什么？莎士比亚所在的连队继续前进，诡异的事情不断发生，连队中亦不断的有人丧命，莎士比亚隐约觉得，在前方等待着他们的正是地狱的入口。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　故事发生在位于伊利诺斯州的哈登菲尔德小镇。臭名昭著的杀人狂迈克尔（泰勒·梅恩 Tyler Mane 饰）终于倒在了少女劳利（丝柯·泰勒-考普顿 Scout Taylor-Compton 饰）的枪下，然而之后他的尸体却神秘的消失了，与此同时，在医院里，出现了一个身份诡异而又神秘的病人，又一场血腥的杀戮即将拉开序幕。　　幸运的劳利再一次的从迈克尔的屠刀下死里逃生，可是，巨大的阴影始终笼罩在她的周围，因为她知道，迈克尔一天不死，就总会再度回到她的身边。一晃眼一年过去，万圣节又要来了，与此同时将要举办的，是死难者的纪念会。劳利能够感觉到，一双熟悉的眼睛正在默默的注视着她。

A deaf single dad's life with his daughter changes when she becomes a hip-hop star. Meanwhile, another father faces ongoing challenges communicating with his deaf son.