闺蜜的秘密丈夫

　　东京，一个世界知名的大城市。 Sarah (何超仪 饰) 与男友分手后，来到此地欲求购买房生产，并度过一个短暂而宁静的假期，但一切事与愿违。由于美国总统的突然到访东京，原定的酒店已满。　　房地产公司将她安置在一座非常破旧废弃令人毛骨悚然的私人民宿 “minipaku” 中 ，当Sarah入住时，她发现它是由一位老妇人（白川和子 饰）经营的。她在那里的第一个晚上感到十分不安和可怕，噩梦连连，并且病了起来，只能被迫留下来，更令她意外地发现了一具正在被寄生虫吞噬的完整骨骼。警察局的高级警司（高桥和也 饰）接手调查，也发现这家民宿牵涉多宗连环离奇失踪案件，怪事连连，警司也未能为Sarah破解。　　这座有着非常神秘力量和不明历史的房子，与Sarah有着某种联系。当 “minpaku” 的灯熄灭时，可怕而令人不安的景象笼罩着她，它们变得越来越真实。一场又一场可怕而离奇的噩梦，令人不知道这是开始还是结束，似乎一切都是安排好的。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　关键一晚终于来临，黄渤扮演的黄总，邀请收藏爱好者来自己家参观，蔺先生如今也是其中一员，带着王森来了。蔺先生发现黄渤家里有三幅《维多女人》仿品，都是有一定年头的值钱货，但蔺先生从特定角度，发现了其中一幅画的标记，这是王森之前交他辨别真假的方法，王森也证明的确是真品。蔺先生发现这是真品后非常激动，要趁别人都没发现之前买下这幅画。黄渤看蔺先生这么感兴趣，开玩笑般开出天价，蔺先生立刻答应，并且要求当场成交。　　成功了！派对上，黄渤把钱撒向空中，大家激动分钱，王森却不在。　　王森突然接到电话，得知夏天竟然被陶硕绑架，陶硕威胁王森交回画，否则杀了夏天。王森一生中从未如此紧张失措过，他和黄渤立刻回去找蔺先生，没想到蔺先生像是变了一个人，精明地可怕，要王森拿出三倍的价买回《维多女人》，黄渤提醒王森夏天还有一个小时就要被杀，王森下定决心，用自己收藏的一屋子艺术品来换这幅画。　　时间紧迫，王森让黄渤去家中拿艺术品，而自己先拿画去救夏天。王森回到绑架现场却一无所有，黄渤也联系不上了，只有他手上那幅画，这时他才发现，手上那幅画，上面有自己的签名，这是最初自己伪造的那副假画。　　王森疯了一般，他回到家，空空荡荡，所有值钱的东西都被卷走 ……

　　一名过气冰上曲棍球教练，在麻州小镇中领导一队二流球队辗转作战，终于在最后一场比赛中挽回他失落的名声。这是一部拍得相当直率粗暴的男性化运动片，冰上曲棍球的比赛场面经常可见互殴和流血镜头，加上对白的"四字经"不绝于耳，当年首映时也引起了不少争论。曾经合作过金像奖电影《刺激：骗中骗》的导演乔治·莱希尔和明星保罗·纽曼，再一次表现出卖力的成绩。