自由2019
剧情简介
1774年，法国大革命前几年，波茨坦和柏林之间的某个地方……杜马瓦尔夫人，特西斯公爵和万德公爵，被路易十六清教朝廷驱逐的浪荡女，向传说中的沃尔兴公爵寻求支持。沃尔兴公爵是一个从德国来的引诱者和自由思想者，在这个伪善和虚伪统治的国家里，他只身一人。他们的使命是:向德国输出自由主义，一种基于拒绝道德和权威的启蒙哲学，但最重要的是，找到一个安全的地方继续他们误入歧途的游戏艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
在线播放
影片档案
- 片名
- 自由2019
- 主演
- 阿尔伯特·塞拉/
- 分类
- 神话
- 评分
- 9.3
- 播放量
- 13万
- 类型
- 音乐
- 更新日期
- 2026-05-10
- 地区分类
- 传记
演员阵容
影评专栏
雨总说了一句：你该不会是第一次吧！难道雨总不是第一次？啊啊啊啊啊
有点烦了！！又要等下个星期。。要不主笔在加一卷！
你tm的！！！！
这杯子真时尚[:a滑稽:]
知识都有关联性的，懂的越多越发觉得自己无知
一部超级好看的漫画，力推！“全漫无刀”
看到那个玄凤蚌埠住了，那个是澳洲本土鸟，怎么在古代有呢
手残又来挑战了...只画了一半，宝们认得出么🥺
观众热评
有点忘记剧情了，他是不是有过目不忘的能力来着？之前是谁能过目不忘？
拿图就点个赞吧！
这一笔钱可真是得来全不费功夫，不仅没有一点损失，反而还赚了，浪爷，你可真牛逼
啊啊啊！这个好可爱，好甜啊[:a快乐:][礼貌取图，取图吱一声谢谢]
头一次听这个比听数学题还认真。嗯，对
不是哥们，要不要这么会断啊，这周最后一更啊[:a生气:]
别人这两百个战场上不知道杀了多少人，你们这一千人平常对空气挥剑，别人干起来吓死的
超愛了，這畫風
SSR吼吼吼
拿图吱声[:zgxdheizi|yyds:]
兰疯子应该写的是《推恩令》
很多漫画阅点都不能买阅读卷了，阅读卷看完就卸载
本周票房排行
忌怪岛
西畑大吾,山本美月,生驹里奈,当真亚美,平冈祐太,水石亚飞梦,川添野爱,祷云母,大谷凜香,笹野高史,伊藤步,滩仪武我的同桌是极品2
赫子铭,苑乔,阿仁全境灾变
伊芙·詹姆斯 Eve James,坎农·史密斯 Kannon Smith,莱琳·麦克 Lelyn Mac光环：夜幕
麦克·柯尔特,克里斯蒂娜·钟邻居的窗
玛丽亚·迪齐亚,格雷格·凯勒,Juliana Canfield亚伯拉罕先生
Omar Sharif,伊莎贝尔·阿佳妮,伊莎贝尔·阿佳妮 Isabelle Adjani魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風間繁美,八島恵子,宮城千賀子旋转吧，乒乓
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2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?
Julia Franz Richter,乔治·布莱顿,马克·伊瓦涅等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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太阳正在被“吃”掉，绝望吞噬地球。⼀名“平凡”的中学教师格雷斯（瑞恩·⾼斯林 饰）背负全人类的希望，踏上“太空不归路”。末路孤旅中，他意外遇到一位外星萌友，一个同样身陷绝境的外星工程师，这对“宇宙搭子”成了两个文明最后的救命稻草。他们能否在资源紧缺的情况下攻克重重科学谜题，寻回唯一的希望火种？影片改编自安迪·威尔的同名畅销科幻小说。
犬之力
富有魅力的牧场主菲尔·伯班克（本尼迪克特·康伯巴奇 饰）让他周围的人又敬又怕。当他的兄弟将新婚妻子以及她的儿子带回家时，菲尔百般折磨他们，直到有一天，他发现自己对爱也存有一丝渴望。
逃离夺命岛
After a mysterious accident at a research camp on the Isle of Gran Manan, a CEO hires a team of blue-collar mercenaries to extract his daughter, a scientist working at the camp. Upon arrival, the team soon learns that not only is the island surrounded by a wormhole that causes time to reset every three days, but it's also crawling with hideous monsters. As they learn more about the nature of time, space, and the creatures on the island, they quickly realize that death may be the easiest way to escape the island.
灵蚀
自从父亲死后，薇若妮卡就一直姊代母职照顾弟弟。思念父亲的她，和两个朋友在日全蚀那天，做了碟仙板以召唤她父亲的灵体。不料就在日光完全遭到遮蔽同时，玻璃破碎，薇若妮卡陷入恍惚状态然后昏迷，朋友们也吓得惊慌失措。薇若妮卡清醒后回家，却开始发现一些异象：东西自己会移动、看不见的地方传来正体不明的呼吸声……她觉得是她把父亲带回了生者的世界，可是这些异象却越发不怀好意，让她备感威胁。在弟弟的帮助下，薇若妮卡展开一项仪式要脱离灵体纠缠，却召唤出始料未及的恐怖幻影，虽然薇若妮卡勇敢地抵抗，但她却浑然不知可怕的后果正等着她……
害虫
少女幸子（宫崎葵饰）和老师的师生恋绯闻被传得风风雨雨，相依为命的母亲稔子（Ryo饰）则自杀未遂。打击不断的生活令幸子无法承受，升入中学后，她不去上学，每天闲逛打发时间。她和依靠小偷小摸赚钱的少年隆夫、精神脆弱的中年人久蔵成为了朋友。隆夫离开后，幸子和好友夏子（苍井优饰）返回了学校。 不久后，她又差点被母亲的新欢德川强暴。谣言又起，幸子失望地离开学校。昔日的老师恋人现在发电所工作，幸子准备去他那里。然而在约定的小茶店里等了很久，他还是没有出现。灰心的幸子跟一个前来搭讪的男子离开茶店……