淫乱书生

　　莫兰（袁百梓卉 饰）拥有着一段悲惨的童年，很小的时候，她就失去了母亲，然而莫兰始终都不知道母亲究竟为什么会死，这场悲剧成为了莫兰内心里最大的谜团和黑洞。时间一年一年的就这样过去，一转眼莫兰便已经长成了亭亭玉立的少女，只是，她从未放弃过想要调查当年事件真相的额念头。　　尹正（林保怡 饰）是莫兰的师叔，在泰国经营着一家按摩院。莫兰千里迢迢远赴泰国寻找尹正，想要借助他的力量开始调查。哪知道来到泰国后，莫兰的身边开始接二连三的发生科学无法解释的诡异事件，甚至还发生了命案，而这一切都和母亲当年的死因有着千丝万缕的关联。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

父亲神秘死亡后，年轻的阿米什女子艾玛想要体验一些不同的东西，于是，她背着母亲玛丽，在朋友丽贝卡的帮助下，逃到英国世界去参加朗姆酒聚会。在那里，她遇到了白马王子希思，他让她爱不释手。但她与他的梦幻约会被打断了，因为他因紧急工作被叫到另一座城市。莎拉独自留在家里体验现代世界的所有便利设施，她的生活很快变成了一场噩梦，她在厨房发现了一具尸体，不久之后，被一个神秘人物打昏。恢复意识后，她决定逃回阿米什人的生活并躲起来，但是当侦探敲门询问时，她意识到她必须自己寻找凶手。

　　影片追随两位牛津大一新生，Miles（麦克斯·艾恩斯）以及Alistair（《饥饿游戏》男星山姆·克拉弗林），他们加入“骚乱俱乐部”（Riot Club）的过程和经历。根据电视特辑所说，骚乱俱乐部成员不到十人，都是精英中的精英，而要进入这个精英团体可不容易，随后的片段中，Alistair 就喝下了一杯，加了烟头、蠕虫等各种难以想象的恶心“佐料”的红酒。　　影片改编自2010年火爆伦敦的剧作“Posh”，骚乱俱乐部的原型据说是牛津大学著名的布灵顿俱乐部（Bullingdon Club），英国许多政要，包括首相卡梅伦，伦敦市长鲍里斯·约翰逊都是其中成员。其奢华的晚宴，以及狂暴的“入会仪式”，比如在学校餐厅和寝室“打砸抢”等，也同样出名。