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系列作品时间线
影片翻拍自阿根廷电影《膝下无子》,讲述了高中时期遇见初恋的男人无意间将家庭史变成秘密而展开的一系列风波浪漫喜剧故事。
在系列终章中,幸存者们将面对蒙面陌生人的新威胁。随着秘密浮出水面,现实与危险的界限逐渐模糊,他们的生存之战也愈发凶险。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
放送作品 黄泉の森(2004年) 行きずりの紊乱者(2004年) 右肩の女(2012年) 顔の道」2009年) 怨みの代償(2009年) S銅山の女(2014年) 或る訳ありの部屋(2025年)
沈十三:就只有我在拼命,你们都是在演我是吧!
我又又又来了,终于有钱可以买全部漫画了。
笑死了国君这演技明显远超金卓[:a笑哭:]
又可以全部用点换了
这男主怕不是个二哈,就这志向连个女人都不如,攀附权贵就为了报仇真是狗都不如
雨总表示:原来都是我自作多情[:aadb盯着:]
这卡点绝了,还以为喊开打的时候结束,好么,打一半结束,有意思么