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夏日时光机
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试着死了一次
广濑铃,堤真一,吉泽亮,松田翔太,西野七濑,木村多江,城田优,佐藤健,池田依来沙,妻夫木聪,志尊淳,古田新太,竹中直人,中川雅也,小泽征悦,岛田久作,加藤谅,绪方义博,柄本时生,前野朋哉,清水伸,原日出子,真壁伸也,本间朋晃,野口聪一,大友康平,安藤ニコ一位叛逆少女(广濑铃饰)的父亲(堤真一饰)因为公司内部的盗窃问题而伤透脑筋，因此决定要试用一款会让自己暂时处于死亡状态的药物，却没想到意外竟然发生了，父亲就快要死亡了！ 每天希望爸爸消失的叛逆少女，这次被逼迫着要接下爸爸的事业，感受到庞大压力的女孩，最苦恼的就是要如何才能让爸爸再次回到他身边呢？
大逃狱
柯克·道格拉斯,亨利·方达,休姆·克罗宁,沃伦·奥茨,布吉斯·梅迪斯,约翰·兰道夫,李·格兰特,阿瑟·奥康纳,马丁·加贝尔,迈克尔·布洛杰特,杨传广,小艾伦·海尔,维克托·弗伦奇,克劳迪亚·麦克尼尔,伯特·弗里德,珍妮·库珀,芭芭拉·罗兹,吉恩·埃文斯,帕梅拉·亨斯利,J. Edward McKinley,Karl Lukas,Larry D. Mann,安·多兰,巴特·伯恩斯,E·J·安德烈,Bill Borzage,丹尼·鲍沙其,Buff Brady,Vincente Cadiente,哈利·凯撒,弗在犯罪生涯中，魅力、智慧和成功并不能阻止小帕里斯·皮特曼在亚利桑那州的沙漠中服刑10年。然而，那些年应该很快就过去了，因为之前藏了50万美元。新的理想主义的监狱长只会让Pitman想要更快地获得他的财富。他开始操纵每个人以达到他的目标。
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment