在线播放
影片档案
- 片名
- 和尚的一场春梦
- 主演
- 未知/
- 分类
- 惊悚
- 评分
- 9.0
- 播放量
- 58万
- 类型
- 剧情
- 更新日期
- 2026-05-09
- 地区分类
- 悬疑
演员阵容
影评专栏
国君，宁政，沈浪三人联手出演边境会猎，现在你们笑的有多欢，到时候沈浪和国君就笑的有多大声[:a狗头:]
每周就这么点内容，不够看啊😫😫😫😫😫😫😫
太好看了，太牛了了！
给不能截图的姐妹
我也不知道我追了几年了，反正就是很好看
emmm，快两个月了
哈哈，回看不健全，瑞瑞给错错子名分了哈
大傻:你们领导种了牛痘却不给你们种
观众热评
阿鲁太：四万对三千，不管怎么说，优势在我
嗷嗷嗷嗷嗷嗷！！公主抱我好爱！！！[:a称赞:][:a称赞:]
爽爽的[:bjqgxbq|期待:]希望更点日常图[:bjqgxbq|贴贴:]
很好看，希望继续努力加油，不要突然挂了！
这卡点有点说不过去了吧！？很容易招人嫌的。。
接下来应该是沈浪给金木聪支招，要通过一个考验就同意嫁给他
怎么还没灭了他啊又要下周[:a生气:]
好不容易心动一次，你却让我输得这么彻底。🌿
我求你了再更一章吧，太难受了全是像是有蚂蚁爬
少了一个“不”字，瑕不掩瑜，再接再厉张肿果真人中龙凤
这改变后，为啥都那么自律了？就因为都是善良嘛[:a笑哭:]
大家且看且珍惜吧，认爸后的剧情崩得太厉害，简直就不像同个作者的风格🥲
本周票房排行
初始者
什恩·卡鲁斯,大卫·苏利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat圣诞宝宝
凯瑟琳·巴雷尔 Katherine Barrell,阿里·利伯特,安德鲁·J·汉普顿兴登堡遇难记
乔治·C·斯科特,安妮·班克罗夫特,威廉·阿瑟东日夜男女
杨冬麒,张梦戈,大兵,华运哥阿勒泰之歌
阿依波塔·杰恩斯,银珠·木拿里别克,海拉提·哈木,张大磊,张雅玫,达列力汗·哈德尔,阿来·阿依达尔汗,叶尔那尔·俄合拉斯别克,阿力木江·吐尔斯拜克,丽娜·夏侃,阿依江·赛力克,达布力·黑巴提,库力加孜拉·比亚地我能有个见证人吗
Keira Jang,吴珊卓,里斯·普雷斯利,Elmira Bashash,乔尔·欧莱特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特纳,派崔克·盖勒,Naika Toussaint,安德烈·安东尼,多米尼克·卢基·马泰尔,奥斯卡·查克,裘德·威尔逊,Cassandra Sawtell,特德拉·罗杰斯,Ally Battaggia,Kymo Van Oers疯癫和尚之再续前缘
雪村,钟夫翔,石洋子超暴力机斗
Ben Naasz,Teddy Cañez,Jennifer Sydney同类型经典对比
火凤凰1978
叙述日本人潜伏中国武馆，化装红衣蒙面人，屡次暗杀立志北伐的爱国志士，后来被揭穿的悬疑武打故事。这片子真可以当成侦破片来看，武馆的人一个一个被杀，凶手究竟是谁...
姜大卫 (David Chiang),上官灵凤 (Lingfeng Shangguan),岳华 (Hua Yueh)414区
故事背景设置在不远的未来世界，在414区的人型机器人殖民地中，私家侦探大卫·卡迈克尔(皮尔斯饰)受雇于痴迷商业世界的财阀马龙·维特(费米尔饰)去寻找后者叛逆的女儿。卡迈克尔需要与高度智能的机器人(鲁茨饰)通力合作，而在这个过程中，关于414区和“机器人之城”起源的罪行也浮出了水面。
盖·皮尔斯,崔维斯·费米尔,约翰内斯·豪克尔·约翰内森,科林·萨蒙,奈德·丹内利,玛蒂尔达·鲁茨,乔纳森·阿里斯,安东尼娅·坎贝尔-休斯,欧文·弗热瑞,玛吉·克罗宁,Jorin Cooke,Holly Demaine毁灭的发明
As its title suggests THE FABULOUS WORLD OF JULES VERNE is an awe -inspiring, meticulous cinematic rendering of the aesthetic and conceptual inventions of proto-science fiction genius Jules Verne, based on one of the famed author's lesser known short stories. However, the real star of the film is the intricate art direction, successfully rendering the visual style of nineteenth century woodcuts and engravings into motion pictures, creating a stylized and surreal graphic world within which Verne’s fanciful tale unfolds. A brilliant scientist, Dr. Roche, perches high above a stormy sea, inventing a powerful explosive, when he and his assistant are kidnapped by an evil businessman, Artigas. Taken by submarine to Artigas' volcano headquarters, Roche is tricked into developing his experiment for evil intentions. The scientist’s assistant, Simon, struggles all the while to free himself and warn Roche. A magical world of baroque submarines and sailing ships, killer octopus, undersea bicycles dazzles audiences as human actors, puppetry, animation and fanciful scenic design interact to create a cinematic experience that is unique by any standards. Mixing slapstick comedy, action adventure pacing and Mélies style film magic, this little known Czechoslovakian gem transcends the juvenile literature at its source to create cinematic art of the highest order....
卢博尔·托科什,Arnost Navrátil,米罗斯拉夫·霍卢布,弗兰蒂泽克·斯列格尔,Václav Kyzlink,Jana Zatloukalová,休·唐斯,Frantisek Cerný,奥托·希曼内克,Václav Trégl治疗尸
如果灵魂离开了身躯，肉体还是正常活动，该怎么去解释这种生命形态？余燕（陈郡君饰）早晨醒来便觉得身体有异常，先后与家人和男友许德（张立昂饰）发生争执，盛怒的余燕转身离去，随后发生车祸。经医生抢救逃过死劫，却找不到心跳。此时她被劫走，醒来后身处在地下密室，研究失魂者的胡教授解释余燕会失去魂魄，是因为内心有强烈的负面磁场，一旦受到冲击，灵魂就会脱离身体。余燕需要在72小时内把自己的灵魂找回来，才能够恢复正常。
陈郡君,张立昂,蔡子,陈沛兴,钟丽芬,刘芷希猜你喜欢
维克多·弗兰肯斯坦
詹姆斯·麦卡沃伊,丹尼尔·雷德克里夫,杰西卡·布朗·芬德利,安德鲁·斯科特,马克·加蒂斯,露易丝·布瑞丽,丹尼尔·梅斯,弗莱迪·福克斯,布隆森·韦伯,埃利斯戴尔·皮特里,斯宾塞·怀尔丁,卡勒姆·特纳鬼婴庙
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad开放日
Anna Paquin,Stephen Moyer,Tricia Helfer,Jessica Collins嘎啦
瑪菲司,储榢逸,李恩佑,徐灏翔大明嫔妃之逐鹿
宋洋,何杜娟,朱一龙,陈一诺,王艺曈,王春妹临租家庭
布兰登·费舍,平岳大,山本真理,香农·戈尔曼,柄本明,尼希,古川雁,金隆夫,小松裕司,长田凉子,保罗·安德里亚·迪·皮耶特罗,木村文哉,龟田梨纱,加奈·凯蒂,尾关伸嗣,筱崎志乃,楚南勇真咒物寻凶
格威利姆·李,卡罗琳·布莱肯,塔格·墨菲,卡罗琳·门通,史蒂夫·沃尔,乔纳森·法兰西恭喜发财
石天,谭咏麟,柏安妮,林子祥审判者1
尹子维,李灿森,郭常辉,方川,陈禹铭,李夏佩,彭波,周超峰,孙鸣蔚,赵旭,陈青晔,刘静怡,李欢姐妹2026
郑知晓,李洙赫,车珠英编辑推荐精选
失落的世界1960
The boisterous, arrogant professor Challenger, a reputed biologist and anthropologist, dares the London Zoological Society to mount an expedition to verify his spectacular claim, without physical proof, that his previous expedition to the Amazonian basin found live dinosaurs. Apart from him and his 'socialite' counterpart, professor Summerlee, it consists of experienced discoverer Lord Roxbury, the young reporter Ed Malone -who got publicly struck down with Challenger's umbrella at his arrival- and Jennifer Holmes, Malone's news agency's boss's daughter, essentially as conditions for putting up the money. In Brazil they are joined by Jennifer's brother David and local 'guide' Manuel Gomez. They soon discover the dinosaurs are real and dangerous, like giant spiders, but loose their helicopter and thus are desperate for a way down from the isolated plateau. They learn Roxbury knew about the fate of Burton White, an explorer whose diary they find, thus presume to be dead, in search of diamonds, and confirmation of the local tribe being the lethal guardians of the plateau's secrets, but also get surprising help...
数码宝贝大电影五：冒险者的战斗
快乐的暑假开始了，启人（津村真琴 配音）为了扫墓来到了风光秀丽的冲绳，在海边，他和阿海（佐伯鹏 配音）一起救下了一位名为美波（三石琴乃 配音）的少女，后者遭到了数码兽的攻击，这些数码兽的目标，似乎是美波所携带的一台笔记本电脑，在电脑里究竟隐藏了怎样的秘密？让启人感到意外的是，美波的遇险催生了数码宝贝石狮兽（津久井教生 配音）的诞生，它的使命为何？ 启人发现，在风靡全球的电子宠物V-Pet背后，隐藏着一个惊人的秘密，贪婪邪恶的曼法斯兽企图通过虚拟的数码兽摧毁人类世界，实现它建立数码世界的野心。面对强大的对手，启人和朋友们该何去何从？
屋中异蛛
内详暂无简介
夏洛克：未叙之章特别篇
好評のうちに最終回を終えた『シャーロック』。このたび23日（月）21時～22時48分に『シャーロック特別編』を放送することが決定しました。そして木南晴夏さんがゲスト出演します。木南さんが演じるのは、フリージャーナリスト・門司かれん（もんじ・かれん）。16日（月）最終回のラストシーンで、獅子雄（ディーン・フジオカ）はついに宿敵・守谷壬三（大西信満）と対峙。しかし獅子雄は、若宮（岩田剛典）や江藤（佐々木蔵之介）の目の前で守谷と共に海中に沈んでしまいました。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.