善良的姐妹
剧情简介
女主是一名拍片的女优，时常在晚上发布一些不露脸的大尺度照片，有一天女主的姐姐带来了男友到家里暂住，男友发现小姨子的举止动作和家中的程设摆列很像网上一个关注已久的女优，而男主决定一探究竟的时候，竟然发现，这个小姨子真的就是自己在网上爱慕已久的女优，他曾经YY无数遍的想法，终于可以如愿以偿....
在线观看高清
演员阵容主要角色
绝世武功招式谱
无招胜有招，以意驭剑，破尽天下武学
至刚至猛，掌力所及，摧枯拉朽
身法飘逸，闪避间如履薄冰又若御风
以气为剑，六道剑气纵横无敌
人物关系图谱
观众点评
谁懂这个脖子上....🌚
宪哥这波演技满分[:a狗头:][:a狗头:][:a狗头:]
芜湖微博刚刚到就来了
太准时了，睡前还能看一话，月票双手奉上[:a咦！:]
还是没打完，就打了个开头，又得期待下周了，上周期待这周，这周期待下周👿
国君明着发怒就是没事，估计是恨沈浪没有野心，不成器
这一画沈浪的两个老婆先后登场，含金量很足啊
总觉得这个表情莫名的熟悉，特意去翻了一下。。。。哈哈哈哈哈哈哈哈哈哈哈哈哈
我有图，无偿。[:a狗头:][:a狗头:]
不愧是无脑爽文，想看，爱看，多更新
同类古装佳作
攻克柏林
Mikheil Chiaureli是斯大林的御用导演，《攻克柏林》长达近五个小时，分上下两部，处处着重突出最高统帅的高瞻远瞩。影片结尾，斯大林乘飞机抵达陷落的柏林，接受苏军的欢呼。其实这是“艺术虚构”。和《斯大林格勒战役》一样，这场实际主要由朱可夫将军指挥的战役，影片中丝毫没有他的影子。当时朱可夫已经因为功高震主，被罗织罪名，发配到乌拉尔军区去了，这是1946年的事。这部1949年的电影很自然地就将朱可夫的功劳“艺术虚构”到伟大领袖的头上了。 因为这部影片，导演连续获得了两次国家奖金，包括1950年的斯大林奖金。中国观众熟悉的《难忘的1919》（1952）也是出自这位导演的手笔。值得一提的是，这两部影片都是由苏联作曲家肖斯塔科维奇谱曲的。
热血敢死队
1936年冬，抗联战士刘文泽等人于林海雪原伏击日军，欲夺回被窃国宝，却发现是赝品。他们与渡边一郎部周旋，多名战友牺牲，后在情报员老吴、僧人观空协助下找到地宫。最终众人与日军激战殉国，而他们用生命守护的国宝，50年后在般若寺遗址重现。
黄金七令之罗刹风云
《七令诡事录》是由徐俊、高悟翔执导，任子豪、何雨宸、李家辛、袁祥仁，徐俊、 领衔主演，刘硕、张宸彬、朱翔、胡建伟、李平安、钱婧睿、曹忆等出演的惊悚、悬疑、恐怖片。 该片讲述江湖豪侠薛氏兄妹，薛小风和薛小花被人陷害被卷入掏心惨案中，随着黄金七令浮出水面，薛氏兄妹联手警察局总探长段广龙，将黄金七令背后的秘密一层层揭开。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster